Thank you, the only objetion I put on this performance is the exposition repeated in the first movement, I don´t like it and I suspect that Dvorak wrote the double bar as a convention, without expecting a repetition.
The only explanation I heard for playing the repeated exposition was given by Gerard Schwarz, he said he respect the repetition because Dvorak expose to many different material in the first part, but I believe that this could work on Dvorak's time, I don´t think in the recording era can be usefull.
Siempre un placer colaborar para el blog Pablo, este disco es muy recomendable y tiene un sonido fantástico.
ResponderEliminarDorati was fascinated by this symphony and made several recordings of it. Thanks for that one in excellent sound.
ResponderEliminarDorati was fascinated by this symphony and made several recordings of it. Thanks for that one in excellent sound.
ResponderEliminarThank you, the only objetion I put on this performance is the exposition repeated in the first movement, I don´t like it and I suspect that Dvorak wrote the double bar as a convention, without expecting a repetition.
ResponderEliminarI look forward to listening to that and understanding the repeated exposition
ResponderEliminarThe only explanation I heard for playing the repeated exposition was given by Gerard Schwarz, he said he respect the repetition because Dvorak expose to many different material in the first part, but I believe that this could work on Dvorak's time, I don´t think in the recording era can be usefull.
ResponderEliminarFantástico trabajo!
ResponderEliminarImpresionante. Gracias!